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Full list of works available here. 

Regal Thoughts (2025)

British Brass Band

 

Premiered by the South Carolina Brass Band - J.D. Shaw, Conductor

Performance by the UGA British Brass Band - Philip Smith, Conductor​​

​The opening motive heard in Regal Thoughts came to me during a night of incredible boredom. In high school, my first job was working for my local Regal Cinemas movie theater. I would have to stand at a front podium in the lobby and mindlessly tear moviegoers’ tickets in half; on week nights, the crowd was inevitably excruciatingly slow, and all I had to entertain myself was my thoughts. This tune spawned in my mind amidst the background noise of the popcorn burners, the thundering bass from the theaters, and the endlessly looping advertisements on the TVs. I turned it into a piece for orchestra before having taken any composition lessons in college and have since reworked it into the much more idiomatic piece it is today.

Hardrada (2024)

Trombone Solo w/ Piano Accompaniment

 

Commissioned by a consortium led by Nick Dewyer

Performance by Timothy Wight

Harald Sigurdsson, frequently referred to as Hardrada, was the King of Norway from 1046 to 1066, and has been dubbed “the last real Viking.” He was a military prodigy, and lived a very violent life; his first taste of combat came in the year 1030, when he fought in the Battle of Stiklestad alongside his half-brother, Olaf, who had been living in exile. Upon returning home, the two men attempted to recapture Olaf’s position on the Norwegian throne, but the battle tragically culminated in Olaf’s death and Harald’s exile. Harald fled to the Grand Prince of Kiev, Yaroslav the Wise, who had also been the benefactor of Olaf during his exile. After several years in Kiev, Harald had amassed an army, and together they travelled to the Byzantine Empire, where they joined the Varangian Guard. After fighting in battles from Constantinople to Jerusalem, Harald was imprisoned by the Byzantine Emperor. Only a revolt amongst the Varangians allowed Harald to escape—he and those who were loyal to him stole several ships from the Empire and sailed back to Scandinavia. Upon his return to Norway, Harald sought to retake the throne lost by his brother, but rather found Olaf’s illegitimate son, Magnus the Good, to be the present King. The two agreed to rule Norway together, but nevertheless frequently fought one another, until Magnus died just a few years later. With his rightful place on the throne finally secure, Harald desired to expand his empire further. The new King invaded several neighboring countries, with little success. His most ambitious campaign, however, was his invasion of England. He and his army had initial success, forcing their way deeper into the country. Upon arriving in Yorkshire, Harald expected to meet with its citizens to negotiate, but was instead greeted by a fully armed militia. This surprising act of betrayal led to Harald and his army being crushingly defeated. It was during this conflict—the Battle of Stamford Bridge—that Harald was killed by an arrow shot to the throat.

Go Where You Please (2022)

Trombone Octet

Winner of the 2023 British Trombone Society Composers Competition

Premiered by the University of South Carolina Trombone Choir

Performance by the Columbus State University Trombone Choir

Available for purchase from Warwick Publishing here.

During the height of the COVID-19 pandemic, I discovered a newfound passion that has stayed with me ever since. Because everything was online, and because my workload had slowed to a standstill, I had to search for ways to take advantage of all of this extra time. Driving was my solution; I would get in the car, usually alone, and drive to any number of the great cities within 2-3 hours of my home. Exploring all of these new places was an exciting and invigorating experience during an otherwise difficult time, and was something I encouraged all of my friends to do, too. There were no limits! My advice was and still is to simply “go wherever you please,” and to enjoy the adventure. I’m so lucky to have this opportunity of exploration, and I encourage everyone who shares this privilege to take full advantage.

Reaching For (2025)

Written in collaboration with Kathryn Green, choreographer and Anna Kirkland, violin

Musicians:

Anna Kirkland, violin

Francesca Puro, violin

Mitchell George, cello

Alex Lunday, double bass

Dancers:

Yanique Edwards

Kaylin Matthews

Penelope Rivera

Tree(3) (2024)

Written for the Collective at the University of South Carolina

for the 2024 Whittaker Commission

Premiered by the Collective on March 20, 2024

604-Step (2024)

Flute, Bassoon, Violin, Cello

Written for Decoda at the 2024 Decoda Chamber Music Festival

Premiered by Decoda inside the Western Women's Correctional Facility in Black Mountain, North Carolina on June 25, 2024

Publicly premiered by Decoda at Warren Wilson College on June 30, 2024

Tree(3) is a number so large that it is beyond human comprehension. If each digit of this number could be written down on a single atom, all of the atoms in the universe would be nowhere near enough to write down Tree(3). And yet, mathematics has proven that Tree(3) is a finite number; that is, there is certainly some unknowable upper limit that distinguishes this number from infinity. The number comes from a game where players create ‘trees’ from ‘seeds’, where the first tree must contain no more than one seed, the second no more than two seeds, and so on. Each tree must not contain a previously drawn tree, and if one does, the game is over.  In the game, seeds can be different colors. In Tree(1), there is just one color of seed. Because of this, the second tree drawn will have to contain the first tree in it, so Tree(1) = 1. A game of Tree(2) can be played to get up to 3 trees, so Tree(2) = 3. Once a third color is added, however, this game immediately becomes incomprehensibly large; and yet, it must end. This idea is reflected in this piece, which has a very slow beginning and a quick transition into a blazing fast section. After it all, there still exists an undiscoverable ending; one which is unknowable yet inevitable. I think this is a very human idea—one that ties us together as a species of billions who will all ultimately share this same inconceivable ending. There are more people on Earth than we could ever hope to know, and yet we all still find community with each other. This piece represents the importance of community as well–with the metal pipes shared between members of the ensemble, for example–and is fun and exciting, but also intimate and reflective.

Copyright © 2025 by Ian Schwalbe. All Rights Reserved.
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